One of the ways that Rogue One revolutionizes the Star Wars franchise is by being the first film that does not follow the traditional formula and structure of the main Star Wars films. It is the first film that does not have an opening crawl, a prologue that summarizes the background and the context of the story. It is the first film that does not have the iconic Star Wars logo and theme music at the beginning.
It is the first film that does not have the episodic numbering and the subtitle. It is the first film that does not have the familiar transitions and wipes between scenes. It is the first film that does not have the Force as a central element of the plot and the characters. It is the first film that does not have a clear distinction between the light and the dark side, the good and the evil, the heroes and the villains.
Instead, Rogue One is a film that creates its own identity and style, while also respecting and honoring the legacy and the essence of the Star Wars franchise. It is a film that has a more realistic and grounded tone, while also having a sense of wonder and adventure. It is a film that has a more diverse and complex cast of characters, while also having a strong and compelling protagonist. It is a film that has a more original and standalone story, while also having a strong and meaningful connection to the main Star Wars saga. It is a film that has a more daring and risky ending, while also having a satisfying and hopeful resolution.
Another way that Rogue One revolutionizes the Star Wars franchise is by being the first film that uses cutting-edge technology and visual effects to create a seamless and immersive experience for the audience. It is a film that uses practical effects, such as models, miniatures, and animatronics, to create a realistic and authentic look for the film, while also using digital effects, such as computer-generated imagery (CGI) and motion capture, to create a stunning and spectacular look for the film.
It is a film that uses real locations, such as Iceland, Jordan, and the Maldives, to create a diverse and exotic look for the film, while also using digital sets, such as the Death Star and the Scarif Citadel, to create a futuristic and impressive look for the film. It is a film that uses archival footage, such as the original X-wing pilots from Star Wars, to create a nostalgic and familiar look for the film, while also using digital resurrection, such as the young Princess Leia and the late Peter Cushing as Grand Moff Tarkin, to create a controversial and innovative look for the film.
